I Don't Wana Wait - Radio Edit
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 2:38
- Released
- 2013
- Album
- I Don't Wana Wait
- Genre
- Progressive House
- Loudness
- -8.0 dB
- ISRC
- GBJAJ1302576
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Don't Wana Wait - Ben Delay Remixremix4B · 123
- I Don't Wana Wait - David Penn Remixremix7A · 125
- I Don't Wana Wait - Extended Vocal Mixversion9B · 126
- I Don't Wana Wait - Original Dub Mixversion5A · 126
- I Don't Wana Wait - Pammin Remixremix6A · 120
A club-tempo progressive house cut, I Don't Wana Wait - Radio Edit sits in G major (9B) at 126 BPM. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Quivver's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 89% of Quivver's catalogue
- Energy:
- hotter than 85% of Quivver's catalogue
- Brightness:
- brighter than 77% of Quivver's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Don't Wana Wait - Radio Edit in?
I Don't Wana Wait - Radio Edit by Quivver is in G major, or 9B on the Camelot wheel.
What BPM is I Don't Wana Wait - Radio Edit?
I Don't Wana Wait - Radio Edit runs at 126 BPM, a club-tempo track.
What mixes well with I Don't Wana Wait - Radio Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is I Don't Wana Wait - Radio Edit good for peak time?
With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Quivver
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
