Love We Lost (with R3HAB) - Skytech Extended Remix by Armin van Buuren cover art

Love We Lost (with R3HAB) - Skytech Extended Remix

Armin van Buuren

30s preview

Key
9B · G major
BPM
126
Open Key
2d
Energy
92/100
Pop
0/100
Length
3:02
Released
2022
Album
Love We Lost (with R3HAB) [VIP Mix / Skytech Remix]
Genre
Trance
Loudness
-6.8 dB
Dynamics
11.1 dB
ISRC
NLF712202542

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 120 BPM), this version runs 6 BPM faster and moves the key from 8B to 9B.

Love We Lost (with R3HAB) - Skytech Extended Remix is a club-tempo trance track in G major (9B) at 126 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.

Brightness:
darker than 91% of Armin van Buuren's catalogue
Tempo:
slower than 76% of Armin van Buuren's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood6Dark
Groove63
Acoustic0
Instrumental0
Live33
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Love We Lost (with R3HAB) - Skytech Extended Remix in?

Love We Lost (with R3HAB) - Skytech Extended Remix by Armin van Buuren is in G major, or 9B on the Camelot wheel.

What BPM is Love We Lost (with R3HAB) - Skytech Extended Remix?

Love We Lost (with R3HAB) - Skytech Extended Remix runs at 126 BPM, a club-tempo track.

What mixes well with Love We Lost (with R3HAB) - Skytech Extended Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Love We Lost (with R3HAB) - Skytech Extended Remix good for peak time?

With energy 92 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More trance

More from Armin van Buuren

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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