Love We Lost (with R3HAB) - VIP Extended Mix
30s preview
- Key
- 8A · A minor
- BPM
- 126
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 4:04
- Released
- 2022
- Album
- Love We Lost (with R3HAB) [VIP Mix / Skytech Remix]
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 13.1 dB
- ISRC
- NLF712202337
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love We Lost (with R3HAB)original8B · 120
- Love We Lostoriginal8B · 120
- Love We Lost (with R3HAB) - VIP Mixoriginal8B · 126
- Love We Lost (with R3HAB) - Skytech Remixremix9B · 126
- Love We Lost (with R3HAB) - Extended Mixversion8A · 120
- Love We Lost (with R3HAB) - Skytech Extended Remixremix9B · 126
Against the original (8B at 120 BPM), this version runs 6 BPM faster and moves the key from 8B to 8A.
Love We Lost (with R3HAB) - VIP Extended Mix is a club-tempo trance track in A minor (8A) at 126 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Armin van Buuren's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 91% of Armin van Buuren's catalogue
- Tempo:
- slower than 76% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Love We Lost (with R3HAB) - VIP Extended Mix in?
Love We Lost (with R3HAB) - VIP Extended Mix by Armin van Buuren is in A minor, or 8A on the Camelot wheel.
What BPM is Love We Lost (with R3HAB) - VIP Extended Mix?
Love We Lost (with R3HAB) - VIP Extended Mix runs at 126 BPM, a club-tempo track.
What mixes well with Love We Lost (with R3HAB) - VIP Extended Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Love We Lost (with R3HAB) - VIP Extended Mix good for peak time?
With energy 88 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 126 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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