![Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp)
Kiksu [Mix Cut] - 2011 Rework
30s preview
- BPM
- 133
- Open Key
- 5m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 4:56
- Released
- 2014
- Album
- A State Of Trance 650 - New Horizons (Mixed by Kyau & Albert)
- Genre
- Trance
- Loudness
- -7.1 dB
- Dynamics
- 13.8 dB
- ISRC
- NLF711400198
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kiksu (original mix)original1B · 124
Against the original (1B at 124 BPM), this version runs 9 BPM faster and moves the key from 1B to 12A.
Kiksu [Mix Cut] - 2011 Rework runs 133 BPM in D♭ minor (12A), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Kyau & Albert's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 93% of Kyau & Albert's catalogue
- Brightness:
- darker than 85% of Kyau & Albert's catalogue
- Tempo:
- faster than 79% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Kiksu [Mix Cut] - 2011 Rework in?
Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Kiksu [Mix Cut] - 2011 Rework?
Kiksu [Mix Cut] - 2011 Rework runs at 133 BPM, a peak-time tempo track.
What mixes well with Kiksu [Mix Cut] - 2011 Rework?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Kiksu [Mix Cut] - 2011 Rework good for peak time?
With energy 96 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![Carry On (feat. Jaren) [Solis & Sean Truby Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 12A at 133 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More trance
More from Kyau & Albert
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Remember This [Mix Cut] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02d1e10dfa800b751b45614731){kind=small}
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