Ibiza Strings (Solarstone Retouch Edit)
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2015
- Album
- Solarstone presents Pure Trance 4
- Genre
- Trance
- Loudness
- -8.0 dB
- Dynamics
- 12.9 dB
- ISRC
- NLF711506487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ibiza Strings (Mix Cut) - Solarstone Retouchoriginal10A · 133
- Ibiza Strings (Solarstone Retouch Extended Mix)version10A · 133
Against the original (10A at 133 BPM), this version holds the same tempo in the same key.
A peak-time tempo trance cut, Ibiza Strings (Solarstone Retouch Edit) sits in B minor (10A) at 133 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Solarstone's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 87% of Solarstone's catalogue
- Groove:
- groovier than 81% of Solarstone's catalogue
- Low end:
- more treble-tilted than 77% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Ibiza Strings (Solarstone Retouch Edit) in?
Ibiza Strings (Solarstone Retouch Edit) by Solarstone is in B minor, or 10A on the Camelot wheel.
What BPM is Ibiza Strings (Solarstone Retouch Edit)?
Ibiza Strings (Solarstone Retouch Edit) runs at 133 BPM, a peak-time tempo track.
What mixes well with Ibiza Strings (Solarstone Retouch Edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Ibiza Strings (Solarstone Retouch Edit) good for peak time?
With energy 95 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
![Kiksu [Mix Cut] - 2011 Rework by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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