Otro dia
30s preview
- Key
- 8B · C major
- BPM
- 133
- Open Key
- 1d
- Energy
- 91/100
- Pop
- 10/100
- Length
- 6:12
- Released
- 2002
- Genre
- Trance
- Loudness
- -9.7 dB
- Dynamics
- 10.9 dB
- ISRC
- DEQ691400216
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Otro dia runs 133 BPM in C major (8B), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2002 production that still circulates in sets. More bass-heavy than 90% of Paul van Dyk's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Otro dia in?
Otro dia by Paul van Dyk is in C major, or 8B on the Camelot wheel.
What BPM is Otro dia?
Otro dia runs at 133 BPM, a peak-time tempo track.
What mixes well with Otro dia?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Otro dia good for peak time?
With energy 91 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Fly To Colors [Mix Cut] - Carl B Remix by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/796183bfc40142a0fcc4.webp){kind=small}
![Seven Sins [Transmission 2014 Theme] - Original Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e0254885cef08c5332510dde09d){kind=small}
How to mix it
In 8B at 133 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.