For An Angel - Ashtrax Fallen Mix
- Key
- 9B · G major
- BPM
- 133
- Open Key
- 2d
- Energy
- 91/100
- Pop
- 17/100
- Length
- 8:01
- Released
- 1994
- Album
- For An Angel
- Genre
- Trance
- Label
- MNW ILR
- Loudness
- -8.0 dB
- ISRC
- DEW760900110
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- For An Angel - PvD Angel In Heaven Radio Editversion8A · 138
- For an Angel - Escape Mixoriginal9B · 132
- For an Angel - E-Werk Club Mixversion8A · 138
- For An Angel - Way Out West Remixremix11B · 140
- For An Angel (Kolonie Remix Edit) - 30th Anniversary Editionremix8A · 128
- For An Angel - Kolonie Remixremix10B · 128
A peak-time tempo trance cut, For An Angel - Ashtrax Fallen Mix sits in G major (9B) at 133 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 1994 production that still circulates in sets. Better known than 80% of Paul van Dyk's catalogue.
- Groove:
- groovier than 76% of Paul van Dyk's catalogue
- Brightness:
- brighter than 76% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is For An Angel - Ashtrax Fallen Mix in?
For An Angel - Ashtrax Fallen Mix by Paul van Dyk is in G major, or 9B on the Camelot wheel.
What BPM is For An Angel - Ashtrax Fallen Mix?
For An Angel - Ashtrax Fallen Mix runs at 133 BPM, a peak-time tempo track.
What mixes well with For An Angel - Ashtrax Fallen Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is For An Angel - Ashtrax Fallen Mix good for peak time?
With energy 91 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 133 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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