Crispy Duck (radio edit)
- BPM
- 133
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 1/100
- Length
- 3:08
- Released
- 2013
- Genre
- Trance
- Loudness
- -7.3 dB
- ISRC
- NLF711207810
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Crispy Duck (radio edit) sits in D♭ major (3B) at 133 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Darker than 97% of John O'Callaghan's catalogue.
- Tempo:
- slower than 86% of John O'Callaghan's catalogue
- Energy:
- calmer than 76% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Crispy Duck (radio edit) in?
Crispy Duck (radio edit) by John O'Callaghan is in D♭ major, or 3B on the Camelot wheel.
What BPM is Crispy Duck (radio edit)?
Crispy Duck (radio edit) runs at 133 BPM, a peak-time tempo track.
What mixes well with Crispy Duck (radio edit)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Crispy Duck (radio edit) good for peak time?
With energy 91 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 133 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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