Lisbon
30s preview
- BPM
- 134
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 1/100
- Length
- 3:11
- Released
- 2021
- Genre
- Trance
- Loudness
- -7.6 dB
- Dynamics
- 11.3 dB
- ISRC
- NLD682102949
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lisbon (Destinations 25)original4B · 135
- Lisbon (GDJB Weekly Drive 7)original9B · 135
- Lisbon - Extended Mixversion3A · 134
Lisbon is a peak-time tempo trance track in A♭ major (4B) at 134 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Darker than 90% of Markus Schulz's catalogue.
- Low end:
- more bass-heavy than 85% of Markus Schulz's catalogue
- Tempo:
- faster than 83% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Lisbon in?
Lisbon by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.
What BPM is Lisbon?
Lisbon runs at 134 BPM, a peak-time tempo track.
What mixes well with Lisbon?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Lisbon good for peak time?
With energy 90 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Such A Feeling [Mix Cut] - Alex M.O.R.P.H. Remix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
![Fusing Love [Mix Cut] - Markus Schulz & Austin Leeds Remix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02cb62953ce7abfd185574eb74){kind=small}
How to mix it
In 4B at 134 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Thing Called Love [feat. Richard Bedford] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
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