Lisbon - Extended Mix
30s preview
- BPM
- 134
- Open Key
- 8m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2021
- Album
- Lisbon
- Genre
- Trance
- Loudness
- -7.3 dB
- Dynamics
- 11.9 dB
- ISRC
- NLD682103813
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lisbon (Destinations 25)original4B · 135
- Lisbon (GDJB Weekly Drive 7)original9B · 135
- Lisbonoriginal4B · 134
Against the original (4B at 135 BPM), this version runs 1 BPM slower and moves the key from 4B to 3A.
Lisbon - Extended Mix runs 134 BPM in B♭ minor (3A), a peak-time tempo trance record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Markus Schulz's catalogue.
- Tempo:
- faster than 83% of Markus Schulz's catalogue
- Brightness:
- darker than 79% of Markus Schulz's catalogue
- Groove:
- less groove-driven than 78% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Lisbon - Extended Mix in?
Lisbon - Extended Mix by Markus Schulz is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Lisbon - Extended Mix?
Lisbon - Extended Mix runs at 134 BPM, a peak-time tempo track.
What mixes well with Lisbon - Extended Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Lisbon - Extended Mix good for peak time?
With energy 92 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
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![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
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How to mix it
In 3A at 134 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
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