![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234)
Rosaires [Mix Cut] - Giuseppe Ottaviani Remix
- Key
- 6A · G minor
- BPM
- 134
- Open Key
- 11m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 4:19
- Released
- 2011
- Album
- GO On Air (Mixed Version)
- Genre
- Trance
- Loudness
- -7.0 dB
- ISRC
- NLF711102385
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rosaires - Giuseppe Ottaviani Remixremix6A · 136
Rosaires [Mix Cut] - Giuseppe Ottaviani Remix is a peak-time tempo trance track in G minor (6A) at 134 BPM. The feel is dark and driving. A 2011 production that still circulates in sets. More underground than 99% of Giuseppe Ottaviani's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- darker than 92% of Giuseppe Ottaviani's catalogue
- Groove:
- less groove-driven than 87% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rosaires [Mix Cut] - Giuseppe Ottaviani Remix in?
Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani is in G minor, or 6A on the Camelot wheel.
What BPM is Rosaires [Mix Cut] - Giuseppe Ottaviani Remix?
Rosaires [Mix Cut] - Giuseppe Ottaviani Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Rosaires [Mix Cut] - Giuseppe Ottaviani Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Rosaires [Mix Cut] - Giuseppe Ottaviani Remix good for peak time?
With energy 95 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 134 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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