Love Letter from the Future - Radio Edit
30s preview
- Key
- 9A · E minor
- BPM
- 134
- Open Key
- 2m
- Energy
- 93/100
- Pop
- 2/100
- Length
- 3:49
- Released
- 2017
- Album
- Love Letter from the Future (feat. Adaja Black)
- Genre
- Trance
- Loudness
- -2.8 dB
- Dynamics
- 17.1 dB
- ISRC
- DEL671700066
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Letter from the Futureoriginal9B · 134
- Love Letter from the Future - Original Mixoriginal9A · 134
- Love Letter from the Future - Anden Remixremix10B · 124
Against the original (9B at 134 BPM), this version holds the same tempo and moves the key from 9B to 9A.
A peak-time tempo trance cut, Love Letter from the Future - Radio Edit sits in E minor (9A) at 134 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2017 production that still circulates in sets. More treble-tilted than 94% of Kyau & Albert's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 83% of Kyau & Albert's catalogue
- Tempo:
- faster than 80% of Kyau & Albert's catalogue
- Energy:
- hotter than 78% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Love Letter from the Future - Radio Edit in?
Love Letter from the Future - Radio Edit by Kyau & Albert is in E minor, or 9A on the Camelot wheel.
What BPM is Love Letter from the Future - Radio Edit?
Love Letter from the Future - Radio Edit runs at 134 BPM, a peak-time tempo track.
What mixes well with Love Letter from the Future - Radio Edit?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Love Letter from the Future - Radio Edit good for peak time?
With energy 93 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 134 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
![Such A Feeling [Mix Cut] - Alex M.O.R.P.H. Remix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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