Aeon of Revenge
30s preview
- Key
- 8A · A minor
- BPM
- 134
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 18/100
- Length
- 3:47
- Released
- 2012
- Genre
- Trance
- Loudness
- -2.8 dB
- Dynamics
- 11.7 dB
- ISRC
- NLF711203776
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 134 BPM in A minor (8A), Aeon of Revenge is a peak-time tempo trance production. Tonally it lands punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Brighter than 93% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 87% of Andrew Rayel's catalogue
- Reach:
- better known than 78% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Aeon of Revenge in?
Aeon of Revenge by Andrew Rayel is in A minor, or 8A on the Camelot wheel.
What BPM is Aeon of Revenge?
Aeon of Revenge runs at 134 BPM, a peak-time tempo track.
What mixes well with Aeon of Revenge?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Aeon of Revenge good for peak time?
With energy 94 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![Eternity [Mix Cut] - Paul van Dyk & Alex M.O.R.P.H. Club Mix by Paul van Dyk cover art](https://i.scdn.co/image/ab67616d00001e02f40713796cd6e41c52a7e994){kind=small}
How to mix it
In 8A at 134 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
![Be There 4 U [Mix Cut] - Mat Zo Remix by Kyau & Albert cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/412b33566c0006aa6846.webp){kind=small}
More trance
![Rosaires [Mix Cut] - Giuseppe Ottaviani Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Andrew Rayel
Full profile![Eternal Harmony [FYH 450 Anthem] by Andrew Rayel cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/57be1dc2e3f68dd8e8a3.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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