Lisbon (Destinations 25) by Markus Schulz cover art

Lisbon (Destinations 25)

Markus Schulz

Key
4B · A♭ major
BPM
135
Open Key
9d
Energy
89/100
Pop
5/100
Length
4:16
Released
2024
Album
Destinations 25
Genre
Trance
Loudness
-9.3 dB
ISRC
NLD682303742

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 135 BPM in A♭ major (4B), Lisbon (Destinations 25) is a driving up-tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. Darker than 97% of Markus Schulz's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 87% of Markus Schulz's catalogue
Groove:
less groove-driven than 81% of Markus Schulz's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood3Dark
Groove46
Acoustic0
Instrumental94
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lisbon (Destinations 25) in?

Lisbon (Destinations 25) by Markus Schulz is in A♭ major, or 4B on the Camelot wheel.

What BPM is Lisbon (Destinations 25)?

Lisbon (Destinations 25) runs at 135 BPM, a driving up-tempo track.

What mixes well with Lisbon (Destinations 25)?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Lisbon (Destinations 25) good for peak time?

With energy 89 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#TrackKey·BPM

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 135 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More trance

More from Markus Schulz

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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