Till The Sky Falls Down - Andrew Rayel Remix
30s preview
- BPM
- 135
- Open Key
- 7m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2015
- Album
- Till The Sky Falls Down (Andrew Rayel Remix)
- Genre
- Trance
- Loudness
- -4.2 dB
- Dynamics
- 14.3 dB
- ISRC
- NLF711506908
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
At 135 BPM in E♭ minor (2A), Till The Sky Falls Down - Andrew Rayel Remix is a driving up-tempo trance production. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. More underground than 99% of Andrew Rayel's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Andrew Rayel's catalogue
- Low end:
- more treble-tilted than 89% of Andrew Rayel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Till The Sky Falls Down - Andrew Rayel Remix in?
Till The Sky Falls Down - Andrew Rayel Remix by Andrew Rayel is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Till The Sky Falls Down - Andrew Rayel Remix?
Till The Sky Falls Down - Andrew Rayel Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Till The Sky Falls Down - Andrew Rayel Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Till The Sky Falls Down - Andrew Rayel Remix good for peak time?
With energy 87 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 135 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
![Just For You [Mix Cut] - Original Mix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
More from Andrew Rayel
Full profile![Eternal Harmony [FYH 450 Anthem] by Andrew Rayel cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/57be1dc2e3f68dd8e8a3.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.