Losing My Mind (Extended Mix)
30s preview
- BPM
- 135
- Open Key
- 8m
- Energy
- 88/100
- Pop
- 7/100
- Length
- 5:46
- Released
- 2024
- Album
- Losing My Mind
- Genre
- Trance
- Loudness
- -9.0 dB
- Dynamics
- 9.8 dB
- ISRC
- DEA312401034
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Losing My Mindoriginal9A · 135
Against the original (9A at 135 BPM), this version holds the same tempo and moves the key from 9A to 3A.
Losing My Mind (Extended Mix) runs 135 BPM in B♭ minor (3A), a driving up-tempo trance record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 97% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 93% of Talla 2XLC's catalogue
- Groove:
- groovier than 77% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Losing My Mind (Extended Mix) in?
Losing My Mind (Extended Mix) by Talla 2XLC is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Losing My Mind (Extended Mix)?
Losing My Mind (Extended Mix) runs at 135 BPM, a driving up-tempo track.
What mixes well with Losing My Mind (Extended Mix)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Losing My Mind (Extended Mix) good for peak time?
With energy 88 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 135 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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