Healing - Liquid Soul Remix
30s preview
- Key
- 9B · G major
- BPM
- 135
- Open Key
- 2d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 8:27
- Released
- 2016
- Album
- Healing (Liquid Soul Remix)
- Genre
- Trance
- Loudness
- -9.4 dB
- Dynamics
- 10.0 dB
- ISRC
- DKZVA1560948
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Healing - Original Mixoriginal3B · 135
- Healing - Daniel Lesden Remixremix3B · 135
- Healing - Editions 303 Mixversion3B · 135
- Healing - Insert Name Remixremix3B · 130
- Healing - Pallida Remixremix9A · 128
- Healing - Simon Templar Remixremix3B · 132
Against the original (3B at 135 BPM), this version holds the same tempo and moves the key from 3B to 9B.
At 135 BPM in G major (9B), Healing - Liquid Soul Remix is a driving up-tempo trance production. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 97% of John 00 Fleming's catalogue
- Groove:
- groovier than 91% of John 00 Fleming's catalogue
- Low end:
- more bass-heavy than 77% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Healing - Liquid Soul Remix in?
Healing - Liquid Soul Remix by John 00 Fleming is in G major, or 9B on the Camelot wheel.
What BPM is Healing - Liquid Soul Remix?
Healing - Liquid Soul Remix runs at 135 BPM, a driving up-tempo track.
What mixes well with Healing - Liquid Soul Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Healing - Liquid Soul Remix good for peak time?
With energy 90 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 135 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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