Opera (original mix) by Andrew Rayel cover art

Opera (original mix)

Andrew Rayel

Key
2B · F♯ major
BPM
135
Open Key
7d
Energy
92/100
Pop
0/100
Length
7:14
Released
2011
Genre
Trance
Loudness
-5.0 dB
ISRC
GBKQU1137391

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Opera (original mix) runs 135 BPM in F♯ major (2B), a driving up-tempo trance record. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Andrew Rayel's catalogue.

Groove:
groovier than 76% of Andrew Rayel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood27Dark
Groove64
Acoustic0
Instrumental94
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Opera (original mix) in?

Opera (original mix) by Andrew Rayel is in F♯ major, or 2B on the Camelot wheel.

What BPM is Opera (original mix)?

Opera (original mix) runs at 135 BPM, a driving up-tempo track.

What mixes well with Opera (original mix)?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Opera (original mix) good for peak time?

With energy 92 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 135 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 92/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More trance

More from Andrew Rayel

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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