
Predator - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 135
- Open Key
- 9m
- Energy
- 93/100
- Pop
- 2/100
- Length
- 7:10
- Released
- 2014
- Album
- Predator
- Genre
- Trance
- Loudness
- -6.9 dB
- Dynamics
- 9.5 dB
- ISRC
- GBKQU1449308
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Predator - Casey Rasch Remixremix10A · 138
- Predator - Frost Raven Tech Remixremix8B · 126
At 135 BPM in F minor (4A), Predator - Original Mix is a driving up-tempo trance production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Better known than 79% of John 00 Fleming's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 77% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Predator - Original Mix in?
Predator - Original Mix by John 00 Fleming is in F minor, or 4A on the Camelot wheel.
What BPM is Predator - Original Mix?
Predator - Original Mix runs at 135 BPM, a driving up-tempo track.
What mixes well with Predator - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Predator - Original Mix good for peak time?
With energy 93 out of 100 at 135 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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