Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix by John 00 Fleming cover art

Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix

John 00 Fleming

Key
9B · G major
BPM
124
Open Key
2d
Energy
97/100
Pop
13/100
Length
7:18
Released
2013
Album
Unexpected Item in the Packing Area
Genre
Trance
Loudness
-8.2 dB
ISRC
FR6V81882337

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10B at 124 BPM), this version holds the same tempo and moves the key from 10B to 9B.

Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix runs 124 BPM in G major (9B), a club-tempo trance record. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. Better known than 99% of John 00 Fleming's catalogue.

Groove:
groovier than 95% of John 00 Fleming's catalogue
Tempo:
slower than 92% of John 00 Fleming's catalogue
Energy:
hotter than 88% of John 00 Fleming's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood28Dark
Groove74
Acoustic0
Instrumental91
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix in?

Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix by John 00 Fleming is in G major, or 9B on the Camelot wheel.

What BPM is Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix?

Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix runs at 124 BPM, a club-tempo track.

What mixes well with Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remix good for peak time?

With energy 97 out of 100 at 124 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More trance

More from John 00 Fleming

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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