Unexpected Item in the Packing Area - Part 1
- BPM
- 124
- Open Key
- 3d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 7:19
- Released
- 2013
- Album
- Unexpected Item in the Packing Area
- Genre
- Trance
- Loudness
- -6.9 dB
- ISRC
- FR6V81882334
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Unexpected Item in the Packing Area - Hernan Cattaneo & Martin Garcia Remixremix9B · 124
- Unexpected Item in the Packing Area - Dubspeeka Remixremix7B · 122
- Unexpected Item in the Packing Area - Part 2original10A · 124
A club-tempo trance cut, Unexpected Item in the Packing Area - Part 1 sits in D major (10B) at 124 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of John 00 Fleming's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 92% of John 00 Fleming's catalogue
- Groove:
- groovier than 92% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Unexpected Item in the Packing Area - Part 1 in?
Unexpected Item in the Packing Area - Part 1 by John 00 Fleming is in D major, or 10B on the Camelot wheel.
What BPM is Unexpected Item in the Packing Area - Part 1?
Unexpected Item in the Packing Area - Part 1 runs at 124 BPM, a club-tempo track.
What mixes well with Unexpected Item in the Packing Area - Part 1?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Unexpected Item in the Packing Area - Part 1 good for peak time?
With energy 88 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More trance
![Revival [extended mix] by Gardenstate cover art](https://i.scdn.co/image/ab67616d00001e0203e8d733196eb6ead8ba74ea){kind=small}
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.