Come to Life - Jody Wisternoff Remix
30s preview
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 3:30
- Released
- 2021
- Album
- Come To Life (Jody Wisternoff Remix)
- Genre
- Progressive House
- Loudness
- -6.3 dB
- Dynamics
- 10.7 dB
- ISRC
- NLF712107708
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come to Life - Jody Wisternoff Extended Remixremix9B · 124
At 124 BPM in G major (9B), Come to Life - Jody Wisternoff Remix is a club-tempo progressive house production. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Jody Wisternoff's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of Jody Wisternoff's catalogue
- Brightness:
- brighter than 87% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Come to Life - Jody Wisternoff Remix in?
Come to Life - Jody Wisternoff Remix by Jody Wisternoff is in G major, or 9B on the Camelot wheel.
What BPM is Come to Life - Jody Wisternoff Remix?
Come to Life - Jody Wisternoff Remix runs at 124 BPM, a club-tempo track.
What mixes well with Come to Life - Jody Wisternoff Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Come to Life - Jody Wisternoff Remix good for peak time?
With energy 95 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
