Falls Apart by Orjan Nilsen cover art

Falls Apart

Orjan Nilsen

Key
4A · F minor
BPM
135
Open Key
9m
Energy
90/100
Pop
0/100
Length
3:19
Released
2024
Genre
Trance
Loudness
-4.8 dB
ISRC
NLF712406675

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Falls Apart runs 135 BPM in F minor (4A), a driving up-tempo trance record. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of Orjan Nilsen's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 91% of Orjan Nilsen's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood15Dark
Groove59
Acoustic1
Instrumental0
Live35
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Falls Apart in?

Falls Apart by Orjan Nilsen is in F minor, or 4A on the Camelot wheel.

What BPM is Falls Apart?

Falls Apart runs at 135 BPM, a driving up-tempo track.

What mixes well with Falls Apart?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Falls Apart good for peak time?

With energy 90 out of 100 at 135 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 135 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 135 — beatmatch without a big tempo pull.

More trance

More from Orjan Nilsen

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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