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8:15 To Nowhere by Talla 2XLC cover art

8:15 To Nowhere

Talla 2XLC

30s preview

Key
8B · C major
BPM
138
Open Key
1d
Energy
100/100
Pop
43/100
Length
3:27
Released
2025
Genre
Trance
Label
Technoclub Retro
Loudness
-2.8 dB
Dynamics
11.3 dB
ISRC
DEA312500230

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 138 BPM in C major (8B), 8:15 To Nowhere is a driving up-tempo trance production. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Talla 2XLC's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 92% of Talla 2XLC's catalogue
Groove:
less groove-driven than 75% of Talla 2XLC's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood19Dark
Groove46
Acoustic0
Instrumental70
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is 8:15 To Nowhere in?

8:15 To Nowhere by Talla 2XLC is in C major, or 8B on the Camelot wheel.

What BPM is 8:15 To Nowhere?

8:15 To Nowhere runs at 138 BPM, a driving up-tempo track.

What mixes well with 8:15 To Nowhere?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is 8:15 To Nowhere good for peak time?

With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B → 7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper▲
7BSimple Mix Downer▼
8ATonal Shift·
9ADiagonal Mix Upper▲
7ADiagonal Mix Downer▼
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 138 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

#TrackKey·BPM

More trance

#TrackKey·BPM

More from Talla 2XLC

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM
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