Out Of The Blue
30s preview
- Key
- 9B · G major
- BPM
- 140
- Half-time
- 70
- Open Key
- 2d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 3:53
- Released
- 2020
- Album
- Out Of The Blue (Ilan Bluestone Remix)
- Genre
- Trance
- Loudness
- -6.3 dB
- Dynamics
- 11.7 dB
- ISRC
- NLB779900004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Out Of The Blue - Ilan Bluestone Remixremix9B · 133
Out Of The Blue is a driving up-tempo trance track in G major (9B) at 140 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Ferry Corsten's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 96% of Ferry Corsten's catalogue
- Tempo:
- faster than 92% of Ferry Corsten's catalogue
- Energy:
- hotter than 89% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Out Of The Blue in?
Out Of The Blue by Ferry Corsten is in G major, or 9B on the Camelot wheel.
What BPM is Out Of The Blue?
Out Of The Blue runs at 140 BPM, a driving up-tempo track.
What mixes well with Out Of The Blue?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Out Of The Blue good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 140 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.