From the Ashes - Paul van Dyk Remix
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 30/100
- Length
- 4:14
- Released
- 2022
- Album
- From The Ashes (Paul van Dyk Remix)
- Genre
- Trance
- Loudness
- -5.6 dB
- Dynamics
- 12.1 dB
- ISRC
- USWB12204800
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in B minor (10A), From the Ashes - Paul van Dyk Remix is a driving up-tempo trance production. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 93% of Paul van Dyk's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 92% of Paul van Dyk's catalogue
- Energy:
- hotter than 82% of Paul van Dyk's catalogue
- Tempo:
- faster than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is From the Ashes - Paul van Dyk Remix in?
From the Ashes - Paul van Dyk Remix by Paul van Dyk is in B minor, or 10A on the Camelot wheel.
What BPM is From the Ashes - Paul van Dyk Remix?
From the Ashes - Paul van Dyk Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with From the Ashes - Paul van Dyk Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is From the Ashes - Paul van Dyk Remix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
![Sunday [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
![Follow The Light (ASOT 1190) [Tune Of The Week] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e2e0ece817c6ca65a5af.webp){kind=small}
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Beautiful [CC455] (MaRLo Remix) by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e0266ef5c2fb427621ba6d292a5){kind=small}
![Bach To The Future (ASOT 1219) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/a93747eed5e02915c12c.webp){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.