Mess of a Machine (Sean Tyas remix edit) by John O'Callaghan cover art

Mess of a Machine (Sean Tyas remix edit)

John O'Callaghan

Key
6A · G minor
BPM
140
Half-time
70
Open Key
11m
Energy
97/100
Pop
7/100
Length
7:53
Released
2012
Genre
Trance
Loudness
-4.5 dB
ISRC
NLF712200984

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Mess of a Machine (Sean Tyas remix edit) is a driving up-tempo trance track in G minor (6A) at 140 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Groovier than 81% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood31Dark
Groove63
Acoustic0
Instrumental80
Live4
Speech15

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Mess of a Machine (Sean Tyas remix edit) in?

Mess of a Machine (Sean Tyas remix edit) by John O'Callaghan is in G minor, or 6A on the Camelot wheel.

What BPM is Mess of a Machine (Sean Tyas remix edit)?

Mess of a Machine (Sean Tyas remix edit) runs at 140 BPM, a driving up-tempo track.

What mixes well with Mess of a Machine (Sean Tyas remix edit)?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Mess of a Machine (Sean Tyas remix edit) good for peak time?

With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 140 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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