Eternity - Gary Proud Remix
30s preview
- Key
- 8B · C major
- BPM
- 140
- Half-time
- 70
- Open Key
- 1d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 2012
- Album
- Eternity (Remixes)
- Genre
- Trance
- Loudness
- -8.5 dB
- Dynamics
- 11.0 dB
- ISRC
- DEQ691200126
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eternityoriginal8B · 128
- Eternity - Paul van Dyk & Alex M.O.R.P.H. Club Mixversion8B · 132
- Eternity - Qulinez Remixremix8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity (feat. Adam Young)original8B · 128
- Eternity - Johan Malmgren Instrumentaloriginal7A · 132
Against the original (8B at 128 BPM), this version runs 12 BPM faster in the same key.
Eternity - Gary Proud Remix: driving up-tempo trance, C major (8B), 140 BPM. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. More underground than 99% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 87% of Paul van Dyk's catalogue
- Tempo:
- faster than 82% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Eternity - Gary Proud Remix in?
Eternity - Gary Proud Remix by Paul van Dyk is in C major, or 8B on the Camelot wheel.
What BPM is Eternity - Gary Proud Remix?
Eternity - Gary Proud Remix runs at 140 BPM, a driving up-tempo track.
What mixes well with Eternity - Gary Proud Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Eternity - Gary Proud Remix good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Can't Stand The Silence [Mix Cut] - Paul van Dyk Remix by Paul van Dyk cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5e389a0e278d62dcf488.webp){kind=small}
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How to mix it
In 8B at 140 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Paul van Dyk
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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