Back To Basics (Original Mix)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 5d
- Energy
- 98/100
- Pop
- 1/100
- Length
- 3:25
- Released
- 2021
- Album
- Back To Basics
- Genre
- Trance
- Loudness
- -4.6 dB
- Dynamics
- 9.2 dB
- ISRC
- DEA312107646
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back To Basics (Extended Mix)version12A · 140
Back To Basics (Original Mix) runs 140 BPM in E major (12B), a driving up-tempo trance record. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More bass-heavy than 90% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 85% of Talla 2XLC's catalogue
- Energy:
- hotter than 77% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Back To Basics (Original Mix) in?
Back To Basics (Original Mix) by Talla 2XLC is in E major, or 12B on the Camelot wheel.
What BPM is Back To Basics (Original Mix)?
Back To Basics (Original Mix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Back To Basics (Original Mix)?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Back To Basics (Original Mix) good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 140 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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