Loops Of Infinity (Zyrus 7 Remix)
30s preview
- Key
- 5A · C minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 10m
- Energy
- 97/100
- Pop
- 39/100
- Length
- 3:48
- Released
- 2024
- Genre
- Trance
- Label
- Dreamscape
- Loudness
- -5.4 dB
- Dynamics
- 9.2 dB
- ISRC
- DEA312401656
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loops Of Infinityoriginal5A · 140
- Loops Of Infinity (Zyrus 7 Extended Remix)remix3A · 140
Against the original (5A at 140 BPM), this version holds the same tempo in the same key.
At 140 BPM in C minor (5A), Loops Of Infinity (Zyrus 7 Remix) is a driving up-tempo trance production. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Talla 2XLC's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 80% of Talla 2XLC's catalogue
- Brightness:
- darker than 76% of Talla 2XLC's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Loops Of Infinity (Zyrus 7 Remix) in?
Loops Of Infinity (Zyrus 7 Remix) by Talla 2XLC is in C minor, or 5A on the Camelot wheel.
What BPM is Loops Of Infinity (Zyrus 7 Remix)?
Loops Of Infinity (Zyrus 7 Remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Loops Of Infinity (Zyrus 7 Remix)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Loops Of Infinity (Zyrus 7 Remix) good for peak time?
With energy 97 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
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How to mix it
In 5A at 140 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Talla 2XLC
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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