It's All About The Melody (FSOE 609)
- Key
- 4A · F minor
- BPM
- 140
- Half-time
- 70
- Open Key
- 9m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 4:33
- Released
- 2019
- Album
- FSOE 609 - Future Sound Of Egypt Episode 609 (Live At Tomorrowland 2019)
- Genre
- Trance
- Loudness
- -7.2 dB
- ISRC
- UKRMQ1900360
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It's All About The Melody (FSOE900)original4A · 140
- It's All About The Melodyoriginal5A · 140
- It's All About The Melody - Extended Mixversion4A · 140
- It's All About The Melody - gardenstate Remixremix4B · 124
- It's All About The Melodyoriginal4A · 140
- It's All About The Melody - gardenstate Extended Remixremix4A · 124
It's All About The Melody (FSOE 609) runs 140 BPM in F minor (4A), a driving up-tempo trance record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. More underground than 99% of Aly & Fila's catalogue.
- Groove:
- less groove-driven than 77% of Aly & Fila's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is It's All About The Melody (FSOE 609) in?
It's All About The Melody (FSOE 609) by Aly & Fila is in F minor, or 4A on the Camelot wheel.
What BPM is It's All About The Melody (FSOE 609)?
It's All About The Melody (FSOE 609) runs at 140 BPM, a driving up-tempo track.
What mixes well with It's All About The Melody (FSOE 609)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is It's All About The Melody (FSOE 609) good for peak time?
With energy 98 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 140 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More trance
More from Aly & Fila
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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