Hammers at Dawn by John O'Callaghan cover art

Hammers at Dawn

John O'Callaghan

Key
8A · A minor
BPM
140
Half-time
70
Open Key
1m
Energy
99/100
Pop
0/100
Length
2:59
Released
2019
Genre
Trance
Loudness
-7.3 dB
ISRC
NLD681903177

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo trance cut, Hammers at Dawn sits in A minor (8A) at 140 BPM. The mix is almost entirely instrumental. More underground than 99% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 90% of John O'Callaghan's catalogue
Groove:
less groove-driven than 80% of John O'Callaghan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood56Balanced
Groove46
Acoustic0
Instrumental80
Live39
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Hammers at Dawn in?

Hammers at Dawn by John O'Callaghan is in A minor, or 8A on the Camelot wheel.

What BPM is Hammers at Dawn?

Hammers at Dawn runs at 140 BPM, a driving up-tempo track.

What mixes well with Hammers at Dawn?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Hammers at Dawn good for peak time?

With energy 99 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#TrackKey·BPM

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 140 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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