Riverside - Paul Denton Remix by John O'Callaghan cover art

Riverside - Paul Denton Remix

John O'Callaghan

Key
1B · B major
BPM
140
Half-time
70
Open Key
6d
Energy
93/100
Pop
34/100
Length
3:24
Released
2025
Album
Riverside (Paul Denton Remix)
Genre
Trance
Loudness
-6.1 dB
ISRC
NLD682501360

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (12A at 140 BPM), this version holds the same tempo and moves the key from 12A to 1B.

At 140 BPM in B major (1B), Riverside - Paul Denton Remix is a driving up-tempo trance production. Tonally it lands dark and driving. The mix is almost entirely instrumental. Better known than 97% of John O'Callaghan's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood13Dark
Groove52
Acoustic0
Instrumental84
Live96
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Riverside - Paul Denton Remix in?

Riverside - Paul Denton Remix by John O'Callaghan is in B major, or 1B on the Camelot wheel.

What BPM is Riverside - Paul Denton Remix?

Riverside - Paul Denton Remix runs at 140 BPM, a driving up-tempo track.

What mixes well with Riverside - Paul Denton Remix?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Riverside - Paul Denton Remix good for peak time?

With energy 93 out of 100 at 140 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

#TrackKey·BPM

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 140 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 140 — beatmatch without a big tempo pull.

More trance

More from John O'Callaghan

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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