Riverside - Ambient Mix
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 49/100
- Pop
- 3/100
- Length
- 7:24
- Released
- 2023
- Album
- Riverside
- Genre
- Trance
- Loudness
- -16.7 dB
- Dynamics
- 15.6 dB
- ISRC
- NLD682302764
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Riverside - Paul Denton Remixremix1B · 140
- Riverside - Paul Denton Extended Remixremix2B · 140
- Riversideoriginal12A · 140
Riverside - Ambient Mix runs 130 BPM in D♭ minor (12A), a peak-time tempo trance record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Slower than 95% of John O'Callaghan's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of John O'Callaghan's catalogue
- Groove:
- less groove-driven than 94% of John O'Callaghan's catalogue
- Low end:
- more treble-tilted than 86% of John O'Callaghan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Riverside - Ambient Mix in?
Riverside - Ambient Mix by John O'Callaghan is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Riverside - Ambient Mix?
Riverside - Ambient Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Riverside - Ambient Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Riverside - Ambient Mix good for peak time?
With energy 49 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![New York City [Take Me Away] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e024afa591b7cba9434a9ed1cef){kind=small}
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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