New Dawn (original mix) by Oliver Smith cover art

New Dawn (original mix)

Oliver Smith

Key
4A · F minor
BPM
130
Open Key
9m
Energy
54/100
Pop
2/100
Length
7:06
Released
2012
Genre
Progressive Trance
Loudness
-9.1 dB
ISRC
GBEWA1200151

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

New Dawn (original mix): peak-time tempo progressive trance, F minor (4A), 130 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 97% of Oliver Smith's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 92% of Oliver Smith's catalogue
Energy:
calmer than 89% of Oliver Smith's catalogue
Brightness:
brighter than 88% of Oliver Smith's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood54Balanced
Groove77
Acoustic0
Instrumental93
Live4
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is New Dawn (original mix) in?

New Dawn (original mix) by Oliver Smith is in F minor, or 4A on the Camelot wheel.

What BPM is New Dawn (original mix)?

New Dawn (original mix) runs at 130 BPM, a peak-time tempo track.

What mixes well with New Dawn (original mix)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is New Dawn (original mix) good for peak time?

With energy 54 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive trance

More from Oliver Smith

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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