We Are the Universe (extended mix)
30s preview
- Key
- 1B · B major
- BPM
- 130
- Open Key
- 6d
- Energy
- 58/100
- Pop
- 8/100
- Length
- 6:08
- Released
- 2019
- Genre
- Progressive Trance
- Loudness
- -6.2 dB
- Dynamics
- 11.4 dB
- ISRC
- GBEWA1901103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Are the Universe (extended mix) runs 130 BPM in B major (1B), a peak-time tempo progressive trance record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 92% of Ilan Bluestone's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 91% of Ilan Bluestone's catalogue
- Groove:
- groovier than 90% of Ilan Bluestone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is We Are the Universe (extended mix) in?
We Are the Universe (extended mix) by Ilan Bluestone is in B major, or 1B on the Camelot wheel.
What BPM is We Are the Universe (extended mix)?
We Are the Universe (extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with We Are the Universe (extended mix)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is We Are the Universe (extended mix) good for peak time?
With energy 58 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![State Of Soul [Mix Cut] - GO's Violin Intro Remix by Giuseppe Ottaviani cover art](https://i.scdn.co/image/ab67616d00001e02768402e504d7c031c244a234){kind=small}
How to mix it
In 1B at 130 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
![Love Is Not Enough [feat. Zoë Johnston] by Above & Beyond cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/446ad3dd9cc448a5f242.webp){kind=small}
More from Ilan Bluestone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.