Symmetries - Maarten De Jong Remix
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 57/100
- Pop
- 4/100
- Length
- 7:14
- Released
- 2012
- Album
- (R)Evolution [The Remixes]
- Genre
- Trance
- Loudness
- -9.2 dB
- Dynamics
- 11.0 dB
- ISRC
- DEQ691300007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Symmetriesoriginal12B · 128
- Symmetries - Extended Mixversion1B · 128
Against the original (12B at 128 BPM), this version runs 2 BPM faster and moves the key from 12B to 12A.
At 130 BPM in D♭ minor (12A), Symmetries - Maarten De Jong Remix is a peak-time tempo trance production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Calmer than 90% of Paul van Dyk's catalogue.
- Tempo:
- slower than 80% of Paul van Dyk's catalogue
- Groove:
- groovier than 78% of Paul van Dyk's catalogue
- Low end:
- more bass-heavy than 78% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Symmetries - Maarten De Jong Remix in?
Symmetries - Maarten De Jong Remix by Paul van Dyk is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Symmetries - Maarten De Jong Remix?
Symmetries - Maarten De Jong Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Symmetries - Maarten De Jong Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Symmetries - Maarten De Jong Remix good for peak time?
With energy 57 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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