
I Saw Good
- BPM
- 128
- Open Key
- 5d
- Energy
- 57/100
- Pop
- 12/100
- Length
- 5:08
- Released
- 2020
- Genre
- Progressive Trance
- Loudness
- -7.2 dB
- ISRC
- GBEWA1907821
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, I Saw Good sits in E major (12B) at 128 BPM. The feel is dark and steady. Groovier than 93% of Above & Beyond's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 76% of Above & Beyond's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Saw Good in?
I Saw Good by Above & Beyond is in E major, or 12B on the Camelot wheel.
What BPM is I Saw Good?
I Saw Good runs at 128 BPM, a peak-time tempo track.
What mixes well with I Saw Good?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is I Saw Good good for peak time?
With energy 57 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Above & Beyond
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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