Decade - Intro Radio Edit
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 2:53
- Released
- 2015
- Album
- Decade (Intro Mix)
- Genre
- Progressive Trance
- Loudness
- -7.9 dB
- ISRC
- NLF711503493
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Decade - Radio Editversion10B · 128
- Decade - Original Mixoriginal10B · 128
- Decade - Intro Mixoriginal10B · 128
Against the original (10B at 128 BPM), this version holds the same tempo and moves the key from 10B to 6A.
Decade - Intro Radio Edit is a peak-time tempo progressive trance track in G minor (6A) at 128 BPM. The feel is dark and steady. It is vocal-led. A 2015 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 93% of Ruben de Ronde's catalogue
- Brightness:
- darker than 80% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Decade - Intro Radio Edit in?
Decade - Intro Radio Edit by Ruben de Ronde is in G minor, or 6A on the Camelot wheel.
What BPM is Decade - Intro Radio Edit?
Decade - Intro Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Decade - Intro Radio Edit?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Decade - Intro Radio Edit good for peak time?
With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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