Perth (extended mix)
30s preview
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 64/100
- Pop
- 8/100
- Length
- 8:16
- Released
- 2013
- Genre
- Progressive Trance
- Loudness
- -6.8 dB
- Dynamics
- 13.3 dB
- ISRC
- GBEWA1300830
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive trance cut, Perth (extended mix) sits in D minor (7A) at 128 BPM. The feel is dark and driving. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. More treble-tilted than 95% of Andrew Bayer's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 77% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Perth (extended mix) in?
Perth (extended mix) by Andrew Bayer is in D minor, or 7A on the Camelot wheel.
What BPM is Perth (extended mix)?
Perth (extended mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Perth (extended mix)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Perth (extended mix) good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
![Muse (feat. Adina Butar) [Purple Stories Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive trance
![New York City [Take Me Away] - Extended Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e029af0e89c0619ccffd8bd2977){kind=small}
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![This Generation [Indio] by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e02732ea494075fbb6a04876a9d){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.