Ready - Andrew Bennett Remix
30s preview
- BPM
- 128
- Open Key
- 5d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2010
- Album
- Ready, Pt. 1
- Genre
- Trance
- Loudness
- -7.7 dB
- Dynamics
- 15.1 dB
- ISRC
- DEQ691000120
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready - Andrew Bennett Dub Mixversion12B · 128
- Ready - Dub Mixversion11B · 138
- Ready - Maarten De Jong Dub Mixversion11B · 134
- Ready - Sebastian Krieg & Roman F. Dub Mixversion11A · 129
- Ready - Sied van Riel Remixremix1B · 138
- Ready - Walsh & McAuley Dub Mixversion11B · 135
At 128 BPM in E major (12B), Ready - Andrew Bennett Remix is a peak-time tempo trance production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2010 production that still circulates in sets. Groovier than 99% of Giuseppe Ottaviani's catalogue.
- Reach:
- more underground than 99% of Giuseppe Ottaviani's catalogue
- Energy:
- calmer than 97% of Giuseppe Ottaviani's catalogue
- Tempo:
- slower than 88% of Giuseppe Ottaviani's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Ready - Andrew Bennett Remix in?
Ready - Andrew Bennett Remix by Giuseppe Ottaviani is in E major, or 12B on the Camelot wheel.
What BPM is Ready - Andrew Bennett Remix?
Ready - Andrew Bennett Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Ready - Andrew Bennett Remix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Ready - Andrew Bennett Remix good for peak time?
With energy 63 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 128 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
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