Reunion by Astrix cover art

Reunion

Astrix

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
61/100
Pop
0/100
Length
7:46
Released
2011
Genre
Psy Trance
Loudness
-9.1 dB
ISRC
GBKFC5118102

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Reunion runs 128 BPM in B♭ minor (3A), a peak-time tempo psy trance record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Darker than 99% of Astrix's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Astrix's catalogue
Groove:
groovier than 98% of Astrix's catalogue
Energy:
calmer than 97% of Astrix's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood3Dark
Groove80
Acoustic0
Instrumental90
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Reunion in?

Reunion by Astrix is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Reunion?

Reunion runs at 128 BPM, a peak-time tempo track.

What mixes well with Reunion?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Reunion good for peak time?

With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More psy trance

More from Astrix

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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