Neon Sonnenschein - Club Mix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2019
- Album
- Neon Sonnenschein
- Genre
- Trance
- Loudness
- -6.3 dB
- Dynamics
- 11.5 dB
- ISRC
- DEL671900133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Neon Sonnenschein - Club Editversion10B · 128
- Neon Sonnenschein - Praana Remixremix10B · 122
- Neon Sonnenschein - Original Mixoriginal10A · 128
Against the original (10A at 128 BPM), this version holds the same tempo in the same key.
Neon Sonnenschein - Club Mix is a peak-time tempo trance track in B minor (10A) at 128 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Kyau & Albert's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 86% of Kyau & Albert's catalogue
- Low end:
- more bass-heavy than 83% of Kyau & Albert's catalogue
- Groove:
- groovier than 81% of Kyau & Albert's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Neon Sonnenschein - Club Mix in?
Neon Sonnenschein - Club Mix by Kyau & Albert is in B minor, or 10A on the Camelot wheel.
What BPM is Neon Sonnenschein - Club Mix?
Neon Sonnenschein - Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Neon Sonnenschein - Club Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Neon Sonnenschein - Club Mix good for peak time?
With energy 62 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![New York City [Take Me Away] - Extended Mix by Markus Schulz cover art](https://i.scdn.co/image/ab67616d00001e029af0e89c0619ccffd8bd2977){kind=small}
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![Muse (feat. Adina Butar) [Purple Stories Remix] by Markus Schulz cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3d44146941fc210272b7.webp){kind=small}
More trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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