The Edge - Original Mix
- BPM
- 128
- Open Key
- 8d
- Energy
- 64/100
- Pop
- 3/100
- Length
- 5:17
- Released
- 2015
- Album
- The Edge
- Genre
- Trance
- Loudness
- -5.3 dB
- ISRC
- NLF711500888
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Edgeoriginal3B · 128
A peak-time tempo trance cut, The Edge - Original Mix sits in D♭ major (3B) at 128 BPM. A 2015 production that still circulates in sets. Calmer than 98% of Orjan Nilsen's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 85% of Orjan Nilsen's catalogue
- Tempo:
- slower than 84% of Orjan Nilsen's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Edge - Original Mix in?
The Edge - Original Mix by Orjan Nilsen is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Edge - Original Mix?
The Edge - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Edge - Original Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Edge - Original Mix good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
More from Orjan Nilsen
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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