Slowmotion VI (EA4 Version)
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 66/100
- Pop
- 3/100
- Length
- 8:08
- Released
- 2021
- Genre
- Trance
- Loudness
- -10.0 dB
- Dynamics
- 8.8 dB
- ISRC
- NLD682103404
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in B♭ minor (3A), Slowmotion VI (EA4 Version) is a peak-time tempo trance production. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 98% of Solarstone's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 96% of Solarstone's catalogue
- Energy:
- calmer than 90% of Solarstone's catalogue
- Tempo:
- slower than 85% of Solarstone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Slowmotion VI (EA4 Version) in?
Slowmotion VI (EA4 Version) by Solarstone is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Slowmotion VI (EA4 Version)?
Slowmotion VI (EA4 Version) runs at 128 BPM, a peak-time tempo track.
What mixes well with Slowmotion VI (EA4 Version)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Slowmotion VI (EA4 Version) good for peak time?
With energy 66 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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