Just Do It
- BPM
- 127
- Open Key
- 11d
- Energy
- 61/100
- Pop
- 7/100
- Length
- 2:13
- Released
- 2020
- Genre
- Psy Trance
- Loudness
- -15.2 dB
- ISRC
- QZGLS2063575
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Just Do It is a peak-time tempo psy trance track in B♭ major (6B) at 127 BPM. Tonally it lands dark and driving. It is vocal-led. The master keeps real dynamic headroom. Calmer than 88% of Captain Hook's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 79% of Captain Hook's catalogue
- Brightness:
- brighter than 79% of Captain Hook's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Just Do It in?
Just Do It by Captain Hook is in B♭ major, or 6B on the Camelot wheel.
What BPM is Just Do It?
Just Do It runs at 127 BPM, a peak-time tempo track.
What mixes well with Just Do It?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Just Do It good for peak time?
With energy 61 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 127 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More psy trance
More from Captain Hook
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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