Pixelated - Take 2
30s preview
- BPM
- 126
- Open Key
- 6m
- Energy
- 57/100
- Pop
- 1/100
- Length
- 7:42
- Released
- 2012
- Album
- Pixelated
- Genre
- Trance
- Loudness
- -8.7 dB
- Dynamics
- 10.1 dB
- ISRC
- NLY491200026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Pixelated - Eelke Kleijn Remixremix3A · 125
- Pixelated - Dibby Dougherty & David Young Remixremix11B · 126
- Pixelated - Incolumis Remixremix12A · 126
- Pixelated - Jamie Stevens Full Res Mixoriginal3B · 126
- Pixelatedoriginal1B · 126
Pixelated - Take 2 is a club-tempo trance track in A♭ minor (1A) at 126 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Calmer than 92% of John 00 Fleming's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 92% of John 00 Fleming's catalogue
- Groove:
- groovier than 89% of John 00 Fleming's catalogue
- Tempo:
- slower than 83% of John 00 Fleming's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Pixelated - Take 2 in?
Pixelated - Take 2 by John 00 Fleming is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Pixelated - Take 2?
Pixelated - Take 2 runs at 126 BPM, a club-tempo track.
What mixes well with Pixelated - Take 2?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Pixelated - Take 2 good for peak time?
With energy 57 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 126 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More trance
More from John 00 Fleming
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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