They Are Not You (Ruben de Ronde the Sound of Holland remix)
30s preview
- Key
- 1B · B major
- BPM
- 125
- Open Key
- 6d
- Energy
- 58/100
- Pop
- 0/100
- Length
- 5:48
- Released
- 2013
- Genre
- Progressive Trance
- Loudness
- -9.6 dB
- Dynamics
- 9.6 dB
- ISRC
- NLUQ61400142
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive trance cut, They Are Not You (Ruben de Ronde the Sound of Holland remix) sits in B major (1B) at 125 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Ruben de Ronde's catalogue.
- Low end:
- more bass-heavy than 97% of Ruben de Ronde's catalogue
- Energy:
- calmer than 94% of Ruben de Ronde's catalogue
- Groove:
- groovier than 93% of Ruben de Ronde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is They Are Not You (Ruben de Ronde the Sound of Holland remix) in?
They Are Not You (Ruben de Ronde the Sound of Holland remix) by Ruben de Ronde is in B major, or 1B on the Camelot wheel.
What BPM is They Are Not You (Ruben de Ronde the Sound of Holland remix)?
They Are Not You (Ruben de Ronde the Sound of Holland remix) runs at 125 BPM, a club-tempo track.
What mixes well with They Are Not You (Ruben de Ronde the Sound of Holland remix)?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is They Are Not You (Ruben de Ronde the Sound of Holland remix) good for peak time?
With energy 58 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive trance
More from Ruben de Ronde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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