A Drink for Calamity Jane
30s preview
- BPM
- 125
- Open Key
- 11d
- Energy
- 59/100
- Pop
- 0/100
- Length
- 6:54
- Released
- 2011
- Genre
- Progressive Trance
- Loudness
- -11.9 dB
- Dynamics
- 12.6 dB
- ISRC
- GBEWA1100434
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A Drink for Calamity Jane: club-tempo progressive trance, B♭ major (6B), 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Andrew Bayer's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 91% of Andrew Bayer's catalogue
- Low end:
- more bass-heavy than 90% of Andrew Bayer's catalogue
- Tempo:
- slower than 76% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is A Drink for Calamity Jane in?
A Drink for Calamity Jane by Andrew Bayer is in B♭ major, or 6B on the Camelot wheel.
What BPM is A Drink for Calamity Jane?
A Drink for Calamity Jane runs at 125 BPM, a club-tempo track.
What mixes well with A Drink for Calamity Jane?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is A Drink for Calamity Jane good for peak time?
With energy 59 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 125 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive trance
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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