In and Out of Phase (club edit)
- Key
- 6A · G minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 11m
- Energy
- 76/100
- Pop
- 21/100
- Length
- 6:10
- Released
- 2012
- Genre
- Downtempo
- Loudness
- -7.2 dB
- ISRC
- GBEWA1101263
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In and Out of Phase (club edit) is a downtempo track in G minor (6A) at 172 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Faster than 99% of Andrew Bayer's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- better known than 92% of Andrew Bayer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is In and Out of Phase (club edit) in?
In and Out of Phase (club edit) by Andrew Bayer is in G minor, or 6A on the Camelot wheel.
What BPM is In and Out of Phase (club edit)?
In and Out of Phase (club edit) runs at 172 BPM.
What mixes well with In and Out of Phase (club edit)?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is In and Out of Phase (club edit) good for peak time?
With energy 76 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 172 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More downtempo
More from Andrew Bayer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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